The pragmatic potential of structure of the Yanka Kupala’s poetic titles
2022, 22, Numer 22
Data publikacji
Model publikowania
Rodzaj licencji
Dziedzina
Dyscyplina
Klasyfikacja
Język publikacji
Abstrakt
The author studies the functions of the poetic titles in the creative works of the national Belarusian poet Yanka Kupala, whose work is often considered as prophetic and messianic throughout the 20th and 21st centuries. The titles are regarded as the constituents of three different levels of textuality: text, metatext and macrotext, and within the three stages of the poetic text perception: pre-textual, textual and posttextual. The peculiarities of the structure of poetic titles have been revealed in terms of their pragmatic potential. The role of titles in creating poetic images as well as in representation of the entire poet’s ancestry is considered through the prism of their syntactical form. The system of title making in the poetry of Yanka Kupala has been revealed with the emphasis on titles-addresses and titles-sources as models for provoking readers’ cognitive work in the process of poetry perception.
Słowa kluczowe:
Bibliografia
Ahapkina Âna. "Napišu-ka â stihi o tom, kak â pišu stihi...” [online] http://www.rut henia.ru/folklore/ahapkina1.htm [access: 10.09.2022] [Ахапкина Яна. "Напишу-ка я стихи о том, как я пишу стихи...”].
Chandler Daniel. Semiotics for Beginners [online] http://visual-memory.co.uk/daniel/Documents/S4B/sem09.html [access: 10.09.2022].
Fatina Anna. 2005. Funkcionirovanie zagolovočnyh kompleksov v sovremennoj rossijskoj gazete. Sankt-Peterburg [Фатина Анна 2005. Функционирование заголовочных комплексов в современной российской газете. Санкт-Петербург].
Golovina Irina. 2006. Osobennosti funkcionirovaniâ zagolovkov v forme prostyh povestvovatel ʹnyh predloženij v sovremennoj nemeckoj presse. Moskva [Головина Ирина. 2006. Особенности функционирования заголовков в форме простых повествовательных предложений в современной немецкой прессе. Москва].
Gubina Nina. 2006. Poètika zaglavij v proze E.I. Zamâtina: nazvanie – tekst – metatekst. Barnaul [Губина Нина. 2006. Поэтика заглавий в прозе Е.И. Замятина: название – текст – метатекст. Барнаул].
Lingvističeskij ènciklopedičeskij slovarʹ. 1990. Moskva “Sovetskaâ ènciklopediâ” [Лингвистический энциклопедический словарь. 1990. Москва “Советская энцик лопедия”].
Pokrovskaâ Evgeniâ. 2006. Pragmatika sovremennogo gazetnogo teksta. “Russkaâ rečʹ” № 3: 81–87 [Покровская Евгения. 2006. Прагматика современного газетного текста. “Русская речь” № 3: 81–87].
Popucevič Vasilij. 2006. Rolʹ zagolovka v media-tekstah. “Âzyk. Obŝestvo. Kulʹtura”. Č. 2: 159–165 [Попуцевич Василий. 2006. Роль заголовка в медиа-текстах. “Язык. Общество. Культура”. Ч. 2: 159–165].
Vežbicka Anna. 1978. Metatekst v tekste “Novoe v zarubežnoj lingvistike”. Vyp. 8. Lingvistika teksta. Moskva: 402–421 [Вежбицка Анна. 1978. Метатекст в тексте “Новое в зарубежной лингвистике”. Вып. 8. Лингвистика текста. Москва: 402–421].
Inne artykuły z tego numeru
- Open access
Yanka Kupala’s creed: the Christian aesthetic code in the motif paradigm of his early poetry
- Open accessBelarusian poetryparodystylizationplot with variationsstylehumorrhythm
Беларуская пародыя другой паловы ХХ стагоддзя: феномен сюжэта з варыяцыямі
- Open accessLithuanian Youth BrotherhoodemigrationBelarusian Banduristjour nalism by J. Laskowski (J. KorabiczMarcin MizeraM. CzeronkaM. Worona)books for people
Спроба рэканструкцыі біяграфіі Юльяна Ляскоўскага (An attempt to reconstruct the biography of Yulian Lyaskovsky)
Podobne publikacje
- Open access
Yanka Kupala’s creed: the Christian aesthetic code in the motif paradigm of his early poetry
- Open accessBelarusian poetryparodystylizationplot with variationsstylehumorrhythm
Беларуская пародыя другой паловы ХХ стагоддзя: феномен сюжэта з варыяцыямі
- Open accessLithuanian Youth BrotherhoodemigrationBelarusian Banduristjour nalism by J. Laskowski (J. KorabiczMarcin MizeraM. CzeronkaM. Worona)books for people
Спроба рэканструкцыі біяграфіі Юльяна Ляскоўскага (An attempt to reconstruct the biography of Yulian Lyaskovsky)